Ass.-Prof. Mag. Dr. Dieter Fuchs
Summer term 2018
127011 KO Critical Readings in Literature - High to Late Modernism
Winter term 2017
123423 SE Literary & Cultural Studies Seminar / BA Paper / MA British/Irish/New English - New Historicist and Cultural Materialist Approaches to Shakespeare and His Contemporaries
128303 AR Theory (MA) - Mikhail Bakhtin - an 'Introduction
Summer term 2017
128110 VO Cultural Studies - MA M01 - Screening Pleasure
Fuchs, D. (2017). “Flann O'Brien's The Dalkey Archive - A Menippean Rebellion against Authority”. in R. Borg, J. McCourt, & P. Fagan (Hrsg.), Problems with Authority. New Essays on Flann O’Brien (S. 230-241). Cork: Cork University Press.
Fuchs, D. (2017). “'Und das Wort ist Fleisch geworden': die Jungfräuliche Empfängnis und das vorreformatorische kulturelle Gedächtnis in Hamlet”. in R. Möhrmann (Hrsg.), Die Entjungferung - Fiktionen der Defloration (S. 281-302). Alfred Kröner Verlag.
Fuchs, D. (2017). Patrick O'Neill, Impossible Joyce: Finnegans Wake (Toronto: University of Toronto Press, 2013). Partial Answers - Journal of Literature and the History of Ideas, 15(2), 391-393. DOI: 10.1353/pan.2017.0022
Fuchs, D. (2017). "James Joyce's Ulysses - A Menippean Satire?". Joyce Studies in Italy, 19, 79-90.
Fuchs, D. (2016). The Eranos-Movement and the Socratic Tradition of Convivial Discussion: Philosophical and Literary Symposia. in T. Schabert (Hrsg.), The Eranos Movement. A Story of Hermeneutics (S. 73-92). Würzburg: Königshausen & Neumann.
Fuchs, D. (2016). Professor Unrat - Der Gymnasialroman als Deutschsprachiger Prototyp der Campusfiktion. in A. Mrozewska (Hrsg.), Der (post-)moderne Universitätsroman in der 'anglo-amerikanischen und in der deutschsprachigen Tradition (S. 11-13). Hamburg: Verlag Dr. Kovac.
Fuchs, D. (2016). Utopie, Menippeische Satire und Herrschaftsdiskurs der Aufklärung: Das Blendungsmotiv in Jonathan Swifts Gulliver's Travels. in Macht des Wortes (S. 11-37). Hamburg: Verlag Dr. Kovac.
Fuchs, D. (2016). Heinrich Mann’s Small Town Tyrant: The Grammar School Novel as a German Prototype of Academic Fiction. Acta Neophilologica, 49, 63-71. DOI: 10.4312/an.49.1-2.63-71
Fuchs, D. (2016). Love's Labour's Lost - A Humanist Satire on the Early Modern World of Academia. in L. Gruszewska-Blaim, & M. Moseley (Hrsg.), Academia in Fact and Fiction (S. 163-172). Frankfurt: Peter Lang Edition.
Fuchs, D. (2016). The 2012 Research Seminar on the Eranos Movement. in T. Schabert (Hrsg.), The Eranos Movement. A Story of Hermeneutics. (S. 177-181). Würzburg: Königshausen & Neumann.
Fuchs, D., & Mayer, S. (2016). IASIL Bibliography Bulletin for 2015. Irish University Review: a journal of Irish studies, 46.2, 1-62.
Fuchs, D., Weiss, R., & Schnauder, L. (Hrsg.) (2015). Anglo-German Theatrical Exchange: “A sea-change into something rich and strange?” . Boston / Leiden: Rodopi/Brill.
Fuchs, D. (2015). The Reception of Synge's and O’Casey's Plays in Vienna from 1914 – 1969. in Anglo-German Theatrical Exchange: “A sea-change into something rich and strange?” (S. 87-128). Boston / Leiden: Rodopi/Brill.
Fuchs, D., Weiss, R., & Schnauder, L. (2015). Introduction. in Anglo-German Theatrical Exchange : “A sea-change into something rich and strange?” (S. 9-17). Rodopi/Brill.
Fuchs, D. (2015). 'He puts Bohemia on the seacoast and makes Ulysses quote Aristotle': Shakespearean Gaps and the Early Modern Method of Analogy and Correspondence in James Joyce's Ulysses”. in L. Pelaschiar (Hrsg.), Joyce / Shakespeare (S. 21-37). Syracuse: Syracuse University Press.
Fuchs, D. (2015). “Neo-Platonic and Menippean Intertextuality: The Freedom and Determination Debate in Shakespeare's Sonnet 154”. in L. Neubauer, & S. Butler (Hrsg.), The Music of Chance: Exploring the Principles of Cosmic Governance and Happenstance (S. 121-134). Black Unicorn.
Fuchs, D. (2015). “The Script of the Body and the Soul in The Country-Wife and Tristram Shandy: the ‘Cognitive Turn’ from Restoration Drama to Sentimental Fiction.”. in E. Mettinger, W. Huber, & E. Z. (Hrsg.), Dramatic Minds - Performance, Cognition, and the Representation of Interiority (S. 149-171). Peter Lang Edition.
Fuchs, D. (2015). Bruce Boehrer, Environmental Degradation in Jacobean Drama (Cambridge: Cambridge University Press, 2013). Shakespeare Jahrbuch, 151, 272-273.
Fuchs, D. (2015). Carsten Heinze & Alfred Hornung (eds.), Medialisierungsformen des (Auto-)Biografischen (Konstanz: UVK Verlagsgesellschaft, 2013). Anglia 133.4. (2015), 781-5. Anglia: Zeitschrift für Englische Philologie, 133.4, 781-785.
Fuchs, D. (2015). Geld und Macht: Shakespeares Bilanzen Shakespeare-Tage in München, 26–28 April 2013. Shakespeare Jahrbuch, 151, 285-288.
Fuchs, D. (2015). The Reception of Synge’s and O’Casey’s Plays in Vienna: From the Fall of the Habsburg Empire to the Summer of ‘69. Litteraria Pragensia: studies in literature and culture, 25(50), 47-59.
Fuchs, D., Mayer, S., & Huber, W. (2015). SIL Bibliography Bulletin for 2014. Irish University Review: a journal of Irish studies, 45.2, 1-66.
Fuchs, D., & Klepuszewski, W. (Hrsg.) (2014). Academic Fiction Revisited - Selected Essays. Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Fuchs, D. (2014). “Felix Beran's 'Des Weibes Klage' / 'Lament for the Yeomen': James Joyce as a Translator and Rewriter of a Viennese Anti-War Poem”. in W. Klepuszewski (Hrsg.), Recalling War: Representations of the Two World Wars in British Literature and Culture (S. 19-34). Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Fuchs, D. (2014). Menippean Satire in David Lodge's Academic Romance Small Word. in D. Fuchs, & W. Klepuszewski (Hrsg.), Academic Fiction Revisited - Selected Essays (S. 51-60). Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Fuchs, D., & Klepuszewski, W. (2014). Introduction. in D. Fuchs, & W. Klepuszewski (Hrsg.), Academic Fiction Revisited - Selected Essays. (S. 7-13). Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Fuchs, D. (2014). Geld und Macht: Shakespeares Bilanzen Shakespeare-Tage in München, 26–28 April 2013. Shakespeare Jahrbuch, 150, 262-265.
Huber, W., Mayer, S., & Fuchs, D. (2014). German and Austrian Contributions to Irish Studies: IASIL Bibliography Bulletin for 2013. Irish University Review: a journal of Irish studies, 44(2), 1-71. DOI: 10.3366/iur.2014.0140
Fuchs, D., & Klepuszewski, W. (2014). "Introduction". in D. Fuchs, & W. Klepuszewski (Hrsg.), Academic Fiction Revisited: Selected Essays (S. 7-13). (Monografia Instytutu Neofilologii i Komunikacji Społecznej). Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Fuchs, D. (2014). “Shakespeare Feiern / Celebrating Shakespeare: Shakespeare-Tage in Weimar, 24.-27. April 2014”. ALG-Umschau, 51, 14-15.
Fuchs, D. (2013). “'Apocalypse Now' - Zweifel und Glaube in Titus Andronicus”. Shakespeare Jahrbuch, 149, 52-71.
Fuchs, D. (2013). James Joyce’s Trojan Hobby-Horse: The Iliad and the Collective Unconscious in Ulysses. Annals of Philosophy, Social and Human Disciplines, (2013/II), 11-18.
Fuchs, D. (2013). "Glaube und Zweifel bei Shakespeare: Shakespeare-Tage in Bochum, 20. - 22. April 2012". Shakespeare Jahrbuch, 149, 290-292.
Fuchs, D. (2013). "'Kleine Herbsttagung' in Weimar, 23. - 24. November 2012". Shakespeare Jahrbuch, 149, 292-293.
Fuchs, D. (2013). “Homeric Intertextuality: Odysseus and the Cyclops in Gulliver’s Travels”. Swift Studies, 38, 145-147.
Fuchs, D. (2012). “The Earl of Surrey's Geraldine-Sonnet Contextualized: Cultural (Mis-)Representations of Ireland in the Early Modern, the Enlightened and the Contemporary Period”. in S. Fielitz, & U. Meyer (Hrsg.), Shakespeare. Satire. Academia. Essays in Honour of Wolfgang Weiss. : Anglistische Forschungen 424 (S. 167-185). Heidelberger Universitätsverlag Winter.
Fuchs, D. (2012). “'Lolo Lolo liebermann […] Lala Lala, Leapermann': the Viennese ‘Lieber Augustin’-Song as an Austro-Hungarian Counterpart of Finnegans Wake”. in S. Mayer, J. Novak, & M. Rubik (Hrsg.), Ireland in Drama, Film, and Popular Culture. Festschrift for Werner Huber. (S. 149-156). WVT.
Fuchs, D. (2012). "Introduction". in H. W. Gabler (Hrsg.), James Joyce, A Portrait of the Artist as a Young Man: With Introductions by Dieter Fuchs & Joseph O'Connor. (S. xv-xxiv). (Vintage Classics). London: Random House.
Fuchs, D. (2012). “'Myth Today:' the Bavarian-Austrian Subtext of T.S. Eliot’s 'The Waste Land'”. Poetica (Paderborn): Zeitschrift für Sprach- und Literaturwissenschaft, 44(3), 379-393.
Fuchs, D. (2012). "'Shakespeare's Shipwrecks: Theatres of Maritime Adventure' - Tagung der Deutschen Shakespeare-Gesellschaft und der European Shakespeare Research Association (ESRA) in Weimar, 28. April - 1. Mai". Shakespeare Jahrbuch, 148, 260-252.
Fuchs, D. (2011). Szombathely, Vienna, Budapest: Epic Geography and the Austro-Hungarian Dimension of James Joyce's Ulysses. Joyce Studies Annual, 2010 (1), 203-220.
Fuchs, D. (2011). “Socratic Archetypes of Metropolitan Discourse in James Joyce's Ulysses”. in T. Schabert, & M. Riedl (Hrsg.), Die Stadt: Achse und Zentrum der Welt - The City: Axis and Centre of the World.: Eranos 16 (S. 61-76). Königshausen & Neumann.
Fuchs, D. (2011). “'Poor Penelope. Penelope Rich': Sir Philip Sidney's Astrophil and Stella as a Source for the Rewriting of the Odysseus-Archetype in James Joyce's Ulysses”. James Joyce Quarterly, 48(2), 350-356.
Fuchs, D. (2011). Brinda Charry, Emissaries in Early Modern Literature and Culture. Mediation, Transmission, Traffic, 1550-1700 (Farnham: Ashgate, 2009). Shakespeare Jahrbuch, 147, 249-250.
Fuchs, D. (2011). "The Poet and the City - London um 1600 als Kulturelle Metropole: Shakespeare-Tage in Bochum, 22. - 25. April 201p". Shakespeare Jahrbuch, 147, 264-266.
Fuchs, D. (2011). "'Kleine Herbsttagung' in Zürich, 26. - 27. November 2010". Shakespeare Jahrbuch, 147, 266-267.
Fuchs, D. (2010). Shakespeare: Aufbruch in die Moderne - Shakespeare-Tage in Weimar, 23.& 26. April 2009. Shakespeare Jahrbuch, 146, 274-276.
Fuchs, D. (2010). 'Kleine Herbsttagung'; in Köln, 27.-28. November 2009. Shakespeare Jahrbuch, 146, 276-277.
Fuchs, D. (2010). Austro-Amerikanischer Kulturtransfer im Zeichen Max Reinhardts: das Theater in der Josefstadt 1945-60. in. E. Mengel,. L. Schnauder, &. R. Weiss (Hrsg.), Weltbühne Wien - World Stage Vienna: Die Rezeption anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts (Band Bd. 2, S. 181-220). Trier: WVT.
Fuchs, D. (2010). “ 'Judgements of Paris and Falling Troy' - The French Metropolis as a Site of Cultural Archaeology in James Joyce's Ulysses and F. Scott Fitzgerald's 'Babylon Revisited'”. in Rive Gauche - Paris as a Site of Avant-Garde and Cultural Exchange in the 1920s (S. 21-39). Unknown publisher.
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dieter.fuchs@univie.ac.at