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Mag. Mag. Dr. Tamara Radak

T: +43-1-4277-42482

tamara.radak@univie.ac.at

https://anglistik.univie.ac.at/staff/staff/detail-seite/user/radakt3/inum/1063/backpid/30750/

Consultation hours: Mondays, 15:00-16:00
(and by appointment via email)

Summer term 2024

123042 PS PS Literary Studies - "Dark Academia" and The Contemporary Campus Novel

124183 VK BEd 08b.3: VK Cultural Studies and Language Education - Fake News and Post-Truth: Theoretical and Practical Considerations

Winter term 2023

123045 PS PS Literary Studies - "That's so meta!" - Self-reflexive literature from William Shakespeare to Zadie Smith

124262 KO Critical Media Analysis - Media Activism from Culture Jamming to #MeToo

128303 VO Literary and Cultural Theories and Concepts (MA)

Summer term 2023

123045 PS PS Literary Studies - Beyond "cutanddry grammar and goahead plot": Experimental Fiction from Sterne to Evaristo

Fuchs, D., Radak, T., & Mettinger-Schartmann, E. (2025). Theaterschau 2023/4: Shakespeare auf Österreichischen Bühnen. Manuscript in preparation.

Radak, T., Francois, P., Burnard, L., Hilger, A., Jannidis, F., Palkó, G., Patras, R., Preminger, M., & Santos, D. (2023). Towards a computational history of modernism in European literary history: Mapping the Inner Lives of Characters in the European Novel (1840–1920). Open Research Europe, 3, [128]. https://doi.org/10.12688/openreseurope.16290.1

Radak, T. (2023). (Un)real City: Spatial and Temporal Ghosting in ANU Productions’ The Party to End All Parties. Journal of Contemporary Drama in English, 11(1), 39-58. https://doi.org/10.1515/jcde-2023-0003

Radak, T. (2023). 'Dying … to Connect’: Postdigital Co-presence in Dead Centre’s To Be a Machine (Version 1.0) (2020). Theatre Research International, 48(1), 38-51. https://doi.org/10.1017/S0307883322000396

Pietrzak-Franger, M., Liedke, H. L., & Radak, T. (2023). Editorial: Presence and Precarity in (Post-)Pandemic Theatre and Performance. Theatre Research International, 48(1), 2-8. https://doi.org/10.1017/S0307883322000360

Pietrzak-Franger, M., Liedke, H. L., & Radak, T. (Eds.) (2023). Presence and Precarity in (Post-)Pandemic Theatre and Performance. Cambridge University Press. Theatre Research International Vol. 48 No. 1

Radak, T. (Accepted/In press). “Maybe the war will be over”: Precluded Futurity and Equivocal Closure in Ernest Hemingway’s A Farewell to Arms. In Dark Modernity American Culture

Radak, T., Fagan, P., & Greaney, J. (2021). Contested canons: Testing the limits of Irish modernism. In P. Fagan, J. Greaney, & T. Radak (Eds.), Irish Modernisms: Gaps, Conjectures, Possibilities (pp. 9-13). Bloomsbury Academic.

Radak, T., Fagan, P., & Greaney, J. (2021). Corporeal texts, discursive bodies: Biopolitical Irish modernisms. In P. Fagan, J. Greaney, & T. Radak (Eds.), Irish Modernisms: Gaps, Conjectures, Possibilities (pp. 81-86). Bloomsbury Academic.

Radak, T., Fagan, P., & Greaney, J. (2021). Introduction: Irish Modernisms in the Plural. In P. Fagan, J. Greaney, & T. Radak (Eds.), Irish Modernisms: Gaps, Conjectures, Possibilities (pp. 1-7). Bloomsbury Academic.

Radak, T., Fagan, P., & Greaney, J. (Eds.) (2021). Irish Modernisms: Gaps, Conjectures, Possibilities. Bloomsbury Academic.

Radak, T., Fagan, P., & Greaney, J. (2021). Minor/major modes: Intermedial Irish modernisms. In P. Fagan, J. Greaney, & T. Radak (Eds.), Irish Modernisms: Gaps, Conjectures, Possibilities (pp. 167-172). Bloomsbury Academic.

Fagan, P., Fuchs, D., & Radak, T. (2021). "Introduction". In P. Fagan, T. Radak, & D. Fuchs (Eds.), Irish Studies in Europe: Stage Irish - PERFORMANCE, IDENTITY, CULTURAL CIRCULATION (pp. 1-21). WVT. Irish Studies in Europe Vol. 10

Fagan, P., Radak, T., & Fuchs, D. (Eds.) (2021). Stage Irish - PERFORMANCE, IDENTITY, CULTURAL CIRCULATION: Irish Studies in Europe. WVT. Irish Studies in Europe

Radak, T. (2020). Rev. of Lise Jaillant (ed.), Publishing Modernist Fiction and Poetry (Edinburgh University Press, 2019). James Joyce Quarterly, 57(3-4), 460-463.

Radak, T. (2018). “Celtic Tiger Burning Bright.” Rev. of Luz Mar González-Arias (ed.), National Identities and Imperfections in Contemporary Irish Literature: Unbecoming Irishness (Basingstoke: Palgrave MacMillan, 2017). Review of Irish Studies in Europe (RISE), 2(2), 153-159. http://www.risejournal.eu/index.php/rise/article/view/1861

Radak, T. (2018). “Don’t Stop Me Now: Printing Presses, Pisgah Sights and the Poetics of Paralysis in ‘Aeolus’.”. In W. Brockman, T. Mecsnober, & S. Alonso (Eds.), James Joyce and the World of Publishing (pp. 143-155). Rodopi/Brill. European Joyce Studies Vol. 26

Radak, T. (2018). “‘Sigmund Freud... Analyze This.’ The Joys of Freud and the ‘Cycloannalism’ of Finnegans Wake.”. In H. Schwall (Ed.), Boundaries, Passages, Transitions: Essays in Irish Culture, Literature and Politics in Honour of Werner Huber (pp. 163-178). WVT. Irish Studies in Europe Vol. 8 https://www.efacis.eu/content/irish-studies-europe-vol-viii-essays-irish-literature-culture-and-politics-honour-werner

Radak, T. (2017). “‘Poised on the threshold’: The Unfinalizability of Joycean Encyclopedism.”. James Joyce Quarterly, 55(1-2), 79-94. https://doi.org/10.1353/jjq.2017.0030

Radak, T. (2017). “‘Walking forever on falling ground’: Footnotes, Hypertext, and the Textures of Possibility in The Third Policeman.”. In P. Fagan, R. Borg, & J. McCourt (Eds.), Flann O’Brien: Problems with Authority (pp. 242-254). Cork University Press.